notes from a museum within museums
museum//camera: what might it look like if we could hear a museum thinking... how does it feel like to be up close to an object and in doubt... How do patterns of information take shape, transforming over time… What gives consistency to the creation of such an assemblage… might its unique photospherics hold the secret to alternative museum futures
As this study Closes,
it doesn't offer a fixed conclusion, but situates itself within an ongoing, ever-unfolding encounter. "Photospherics" and the museum//camera don't emerge as projects with endpoints but as ceaseless processes of becoming — a meeting point between the museum and the photograph, between the known and the yet-to-be-known. And thus, rather than a fixed conclusion to this study, this "version" situates itself within an ongoing, ever-unfolding dialogue. This ever-changing tapestry manifests as a perspectival and situated version of the "deeply felt everyday." It beckons us towards future entanglements, concluding not with an endpoint but with an invitation to an ongoing narrative, alive with possibilities for future explorations.